It’s barely into 2008 and we’ve addes a new member to our small family to help us celebrate the dawn of a new year. Please help us in welcoming our new Marketing and Community Specialist, Tiffani Jones to the Blue Flavor team.
We fully expect her role with us to change and evolve over time, but for the time being she’s going to bring her considerable organizational and management skills to our client projects as well as some much needed help to our own account management, sales and marketing efforts.
It’s going to be a big, diverse job and we think Tiffani is the perfect person for the challenge. She’s smart, energetic and has a wide range of useful talents. I think we’re all excited to see where she can take her role and about her future with Blue Flavor.
Welcome to the family Tiffani, we’re really happy to have you on board!
The original Tiffany Jones newspaper strip won plaudits for its wit and style. Written and drawn by two female fashion journalists, it told of the exploits of a glamorous model, Tiffany, and her friends Jo and boyfriend Guy, and epitomised the free spirit of ‘Swinging London’. Unfortunately this seems to have been completely jettisoned in this rather tedious adaptation. Instead poor Jo and Guy are relegated to a brief appearance at the start of the film, and then disappear for the duration. Tiffany gets embroiled in an attempt by a deposed foreign royal to overthrow the dictatorship which has taken over his country. The makers of the film seem unsure how seriously they should take the story, and how much sex and nudity (which is after all the only reason most people will be watching) to throw into the mix. One can only speculate what Fiona Richmond’s producers, makers of probably the best looking sex films of the period, would have done with this story. Or how it would have been handled by the more low-brow creators of the ‘Confessions’ or ‘Adventures’ films; doubtless the clothing would have been lost with more panache than happens here. Anouska Hempel does not have the knowing sexuality of a Fiona, nor does she have the dizzy wide-eyed innocence which might also have worked. Instead she is reduced to reacting to everything which happens as if it is an everyday occurrence. The viewer is left with a feeling of regret for what might have been.